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Upcoming public gigs:


October



2nd Søhesten Tba


4th Booked for a private gig


5th Charlie Scotts Tba


6th 17-20 Oh People Palæ Bar


10th Charlie Scott Schmidt 4


11th Toftemark 4'tet La Fontaine


12th A Plane To Catch Release Concert Christians havns beboerhus


14th Monday Night Bigband Paradise Jazz


15th A Plane To Catch Børne Jazz Kolding


16th - 30th Inspirational trip to New York .


31st A Plane To Catch Paradise Jazz




November


1st Library Bar


2nd Booked for private gig 16.30-18.30


2nd Charlie Scotts A Plane To Catch


8th Library Bar


9th Lea Foxman 4'tet La Fontaine


14th Jam session Juret Oslo


15th Private gig Oslo


18th Monday Night Bigband Paradise Jazz


20th A Plane To Catch Søhesten 20-22


21st Badelebens Store Aften - Charlie Scotts


22nd Library Bar


24th Jam Host La Fontaine w. Roland & Tba


28th Brazil Trio Vivaldi Cph


29th Library Bar




December


11th Rolf Thofte 5tet at Søhesten


12th Chris Andersen Trio Soho House


16th MNBB Christmas Show


18th + 19th Studio Session w. Rolf Thofte 5tet


20th Private gig Brønnum


22nd Jam Host La Fontaine w. Carl Sayer & Rune Fog


31st Nytårs Jazz Rørvig Jazz Festival




New Single out 15/9/23

About:


Andreas Toftemark is a 33-year-old saxophonist and composer who currently lives in Copenhagen. Andreas has performed regularly on the New York jazz scene and European jazz scene including Denmark, Sweden, Germany, Brazil, England, Norway, USA, Holland, Italy, France, and Spain; both as a sideman and bandleader.

 

Education; Andreas holds a BA from The New School of Jazz in New York where he studied with accomplished musicians such as Reggie Workman, Joel Frahm, Eric Alexander, Ben Wendel, and Peter Bernstein to name a few. Furthermore, Andreas has a European jazz Master's degree from Copenhagen, Berlin and Paris. 

 

Sound; Andreas’ sound is intense but round and clearly reflects the many years he has spent listening to the masters of jazz such as Charlie Parker, John Coltrane, Lester Young, Barry Harris, amongst others. Although Andreas’ style reflects traditional jazz musicians, he has been exploring many genres and has played everything from traditional jazz to bebop, hardbop, Afro-Cuban, folk music, and contemporary Jazz. Furthermore, Andreas doubles on alto-saxophone and Clarinet.

 

 

See agenda, or click media for video and sound for more info.

A. Toftemark recives

Bent Jædig Award 2023

New Single out 

https://orcd.co/andreas_toftemark-november_in_paris

New Single out 11/8/23

Copenhagen Jazz Festival 2023 

Reviews of my latest album


jazzjournal.co.uk

4/5 stars

"He is an experienced bandleader and inventive soloist. Perhaps this release will gain him some of the recognition he deserves. It is a superior hard-bop style blowing session...

Wisely he fashions his own variations on the melody without reference to classic versions ... This is a superior ballad interpretation."


Skjazz.sk

”Extremely melodic tenor, without being sleek, the tone is bright, warm, and pleasant, without being too sweet........played with astonishing invention, joy, sincerity and playfulness, that goes hand in hand with a high instrumental skillset...This recording is the strongest proof of inspiration and the inexhaustibility of jazz standards!”


www.ivanrod.dk

"swinging meanwhile adding an open style with an edge, that gives the listeners pallet true umami - a commendable gem”


www.jazzhalo.be

"Andreas Toftemark picks up the true jazz spirit in a fresh and inventive way, a perfect album. for the cozy club feeling"


jazznyt.blogspot.com

"I'm excited and feel like I got a letter from Andreas telling me that jazz is Alive and Well"


www.nettavisen.no

”Here are no big musical surprises – just beautiful, thoughtful, honest music that lasts from now until eternity”


www.rocktimes.info

“Toftemark is a very elegant saxophonist, here I see his closeness to Lester Young very pronounced... incredibly courageous, full of warmth, gripping and professionally executed”


ap-reviews.com

"As fine, contemporary interpreters of the tradition, and with that glimpse of the saxophonist’s compositional prowess, the stage seems well and truly set"